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October |
August | September | October | November |
The Black Keysplus The Royal BangsFriday, October 3rd 9:00 PM (8:00 PM doors) $22.00 advance / $24.00 door Ages 16+ |
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The Akron, Ohio-based duo The Black Keys is well known for its concentrated, hermetic approach to recording, hunkering down with rudimentary equipment in an unfinished basement or commandeering the floor of a vacant local rubber factory to create terse but soulful rock that seems to have time-traveled into the pair's amps from some long-ago radio show. But guitarist-vocalist Dan Auerbach and drummer Patrick Carney now admit they were ready for a change of scene-as well as some company. So when they got the opportunity to work with Grammy Award-nominated producer-musician-provocateur Danger Mouse, a/k/a Brian Burton (Gnarls Barkley, Gorillaz, The Grey Album), they agreed, for the first time, to leave their familiar environs. They weren't quite willing to cross state lines yet, though. The Black Keys had originally been approached by Danger Mouse to write songs for an album he was developing with Grammy Award-winning R&B legend Ike Turner, who, in recent years, had been recognized more for his contribution to the birth of rock & roll than for the time he'd spent in the tabloids. That project would never be completed, however, and the 76 year-old Turner passed away unexpectedly in December.
Music video for "Strange Times" |
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Joan Osborneplus Matt MorrisSaturday, October 4th 8:00 PM (7:00 PM doors) $22.50 advance / $25.00 door Ages 18+ |
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“There’s a guy here in Brooklyn,” starts Joan Osborne, “who sells mix CDs on a street corner. Every time he plays 70s soul groups, everyone within earshot gets a big grin on their face, starts singing along under their breath and the whole atmosphere around him just changes. A lot of the impetus for this record came from those blithe moments on the street. And, yes, I bought more than a few CDs from him,” she laughs. On her latest album, Breakfast in Bed, Osborne got the chance to make her very own mix, a collection of soul classics and new songs she wrote to fit in seamlessly alongside them. “I love this music and these songs,” Osborne explains wistfully. “When I first started singing with any kind of seriousness, I was involved with the roots music scene in NYC and got a real education in soul, rhythm and blues. Etta James, Howlin’ Wolf … it was the same for me back then as it is now. I try to emulate the emotional rawness of their music and wanted to revisit the simplicity of the lyrics and direct style of songwriting.”
Music video for "Sara Smile" from Breakfast in Bed |
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GWARplus Kingdom of Sorrow & Toxic HolocaustMonday, October 6th 8:00 PM (7:00 PM doors) $18.50 advance / $22.00 door Ages 18+ |
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Eons ago, there existed an elite group of chaos warriors who ravaged the galaxy with a boundless hatred of all things alive. They were called the Scumdogs of the Universe, and they grew in might and fury, the greatest weapon in the arsenal of their cosmic Master. But they became too powerful, and too defiant, and for their cosmic crimes were banished to the most insignificant planet in the universe...the seething mudball known as Earth. Millions of years passed, and they slumbered, until the pollution of your world de-thawed these creatures from their ageless coma...and now they stride the Earth, living gods, dedicated to one goal, the destruction of the human race, and the eradication of existence itself! Wait- that’s two goals! Hark to the hideous majesty of your MASTERS, rulers of Earth, the MIGHTY GWAR!!! |
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Atmosphere
featuring Abstract Rude, Blueprint, and DJ Rare Groove |
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Eleven years after becoming the first hip-hop act to put the Twin Cities on the map, Atmosphere has grown into one of the most accomplished MC/producer duos around. Between Slug and Ant, they’ve released six albums, 11 Sad Clown tour albums and various side-projects like Felt — amounting in well over a million units sold. And along the way have performed to sold-out crowds everywhere from modest sized venues in their hometown to colossal festivals in Japan. Since releasing their 1997 debut, Overcast!, Ant’s ASR-born melodic beats and Slug’s open book and observational style of rapping continues to evolve into hip-hop that’s more honest — more textured. And the praise for these Rhymesayers pioneers hasn’t stopped flowing in. As Rolling Stone once gushed about Slug, “This Minneapolis indie rap hero has potential to spare, delivering taut, complex rhyme narratives with everyman earnestness.” Or as the Village Voice once wrote of Ant, “His dusty grooves are hooky and R&B-informed, and even when they back up Slug's most maniacally depressed rhymes, they never feel heavy-handed.”
Music video for "Guarantees" |
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of Montrealplus Love Is AllWednesday, October 8th 9:00 PM (8:00 PM doors) $16.00 advance / $18.00 door All Ages |
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The brainchild of singer/guitarist Kevin Barnes, euphoric indie popsters Of Montreal were among the second wave of bands to emerge from the sprawling Elephant 6 collective. A native of Athens, GA, Barnes was inspired to form the group in the wake of a broken romance with a woman from Montreal; signing to Bar/None while living in Florida, he subsequently moved to Cleveland and Minneapolis in search of compatible bandmates, finally returning home to collaborate with bassist Bryan Helium (also a member of Athens' Elf Power) and drummer Derek Almstead. Of Montreal's debut album, Cherry Peel, appeared in mid-1997, followed that autumn by an EP, The Bird Who Continues to Eat the Rabbit's Flower. After Helium left to focus on Elf Power full-time, Almstead assumed bass duties, and keyboardist Dottie Alexander and drummer Jamie Huggins joined the lineup; still, the second Of Montreal full-length, 1998's The Bedside Drama: A Petite Tragedy, was recorded primarily as a Barnes solo project. Multi-instrumentalist A.C. Forrester signed on for 1999's sublime The Gay Parade; the singles retrospective Horse & Elephant Eatery followed in the spring of 2000. The group continued with the release of Coquelicot Asleep in the Poppies: A Variety of Whimsical Verse in April 2001 and Aldhils Arboretum in September of 2002, both for Kindercore. With the folding of Kindercore, the departures of multi-instrumentalist Andy Gonzales and Almstead, and Barnes' marriage, 2003 proved to be an up and down year for the group. Barnes' wife, Nina, joined the band and they signed to Polyvinyl Records, delivering one of their best records, Satanic Panic in the Attic, in early 2004. The following year found Barnes exploring a bouncier, synth-driven avenue with the release of Sunlandic Twins, but things began to get complicated in his personal life around the same time. He and his wife moved to Norway for the birth of their baby. Deprived of familliar touchstones, Barnes fell into a deep depression and, upon returning to the States, continued to travel progressively downhill. He and his wife separated for a time, and she returned to her family in Norway with their new daughter. Through the emotional turmoil, Barnes concocted what was to be his darkest, most personal and ambitious album yet -- Hissing Fauna, Are You the Destroyer?
Music video for "Wraith Pinned to the Mist and Other Games" |
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RehabThursday, October 9th9:00 PM (8:00 PM doors) $15.00 advance / $17.00 door Ages 18+ |
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The Atlanta-based quintet breaks new ground and addresses new challenges on its latest album, Graffiti the World. The collection is truly the work of combined contributions from each individual member of the band. “It’s five people getting together and trying to do the music that they want to hear,” says front man Danny Alexander. “Everybody contributed. You always have a vision of what you want to do and it never really comes out the way you plan it, but the end result is really good. You’re just constantly trying to put out what you feel.” The final result of their combined efforts evokes a more positive and inspired feeling to the record. Formed in the late ‘90s, pioneering mash-ups of scorching rock and searing rap, Rehab released its debut album, Southern Discomfort in 2000, filled with an array of guest stars including Cee–Lo, Goodie Mob and Cody Chestnutt. The album spun off the top 15 modern rock hit “It Don't Matter” and sold over 140 thousand units. This success enabled the band to kick off a 2 year national tour supporting the Vans Warped Tour and bands like Kotton Mouth Kings and Linkin Park. Then, three years ago, in the wake of diverging creative, personal and financial points of view, the group splintered. While facing down his own personal demons, Danny brought together a new version of the band, which has delivered, Graffiti the World. “I did a lot of observing and lyrically sat down for a while and thought about what was going on around me, what I wanted to do and where I wanted to do it,” Danny says. “This album is a documentary of the station you are in life and trying to get to the next area or stop.”
Music video for "Bartender Song (Sittin' At A Bar)" |
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Donavon FrankreiterSaturday, October 11th9:00 PM (8:00 PM doors) $16.00 advance / $18.00 door All Ages |
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The first thing that strikes a person when they meet Donavon Frankenreiter is that they’ve probably never met a person quite like him before. From his genuine nature, to his big heart, to his all-around charisma, once you connect with his vibe you realize that he is truly unique. Donavon lives an incredible life, one that he never takes for granted. His vocations and drive have enabled him to live the one person’s fantasy, as a reality. First and foremost, you have Donavon the husband to his wife Petra and father to his sons Hendrix and Ozzy. Their love and presence are the driving force in his life, as can be seen by the beautiful tattoo of the three on his forearm. Next you have Donavon the pro-surfer, who has and continues to travel the world extensively surfing in some of the most popular and also most remote places on the globe. As a matter of fact, both Donavon’s surfboard and guitar case have seen more places than most humans ever will. And of course, you have Donavon Frankenreiter the musician, who is about to release his third, and probably most important album to date titled Pass It Around (Lost Highway). |
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Dimmu Borgirplus Moonspell, Winds Of Plague & SkeletonwitchSunday, October 12th 8:00 PM (7:00 PM doors) $20.00 advance / $23.00 door All Ages |
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In 1994, the band recorded their now-classic debut full-length, “For All Tid”, followed two years later by one of the most important albums in Black Metal history, “Stormblåst”. Album number two instantly turned Dimmu Borgir into the hottest Black Metal Underground act with its mature songwriting, tempo variances, strong classical influences and overall unique sound. The “Devil’s Path” MCD was next, before the recording sessions for a true and immortal melodic Black Metal masterpiece commenced. “Enthrone Darkness Triumphant” was produced by Peter Tagtgren (Hypocrisy) and released in 1997. The band`s Nuclear Blast debut marked their big international breakthrough achieving chart entries all over the world and playing the huge European music festivals such as Dynamo Open Air and Wacken Open Air. Shortly following their world tour for “Enthroned Darkness Triumphant”, Dimmu Borgir recorded the “Godless Savage Garden” MCD to hold fans over while waiting for the next full-length, “Spiritual Black Dimensions”. This one was unleashed in March 1999, taking record stores by storm and proving yet again that Dimmu Borgir are the kings of the dark throne.
Performing "Progenies Of The Great Apocalypse" live |
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Girl Talkplus Grand Buffet & Hearts Of DarknessesTuesday, October 14th 9:00 PM (8:00 PM doors) $15.00 advance / $17.00 door Ages 16+ |
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For Gregg Gillis, the Girl Talk project has always been about embracing pop music. On his fourth album, Feed The Animals, Girl Talk celebrates pop to the extreme and continues his sonic evolution towards his party-infested live shows. The new album, which took two years to make, sees Gillis collecting material that was developed as part of his ever-changing live show. Using 300 samples in over 50 minutes, Gillis has created his most heavy-hitting, party-centric album yet. Throughout eight years of dedicating himself to creating sample-based music, Gillis has focused on the art of sampling and developing new tracks that have their own character, and surpass the original elements. He has refined his skill and technique and challenged himself with each new release, and in turn Gillis has solidified a specific musical identity and successfully created a particular style of music on record and in a live setting that excites listeners and makes them hungry for more.
Watch Girl Talk make a mashup from Elvis Costello's "Radio, Radio" |
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Martin Sextonplus Ryan Montbleau BandThursday, October 16th 8:00 PM (7:00 PM doors) $18.00 advance / $20.00 door All Ages |
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A native of Syracuse, New York, Martin Sexton grew up on the timeless sounds of '70s radio, from Stevie Wonder to Led Zeppelin (who led him toward blues legends like Howlin Wolf and Willie Dixon). Sexton eventually migrated to Boston, where he began to build his following singing on the streets of Harvard Square and gradually working his way into the club scene. His 1992 collection of self-produced demo recordings, In The Journey, was recorded on a old 8-track in a friend's attic. He managed to sell 20,000 copies out of his guitar case busking. Sexton recalls, "All those one-dollar bills I saved to make that record was the best eight-hundred bucks I ever spent." His captivating performances led to a bounty of Boston Music Awards and the National Academy of Songwriters "Artist of the Year" award. |
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Los Lonely Boysplus Zac Brown BandSaturday, October 18th 9:00 PM (8:00 PM doors) $25.00 advance / $27.00 door Ages 18+ |
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The essence of Forgiven, the gripping third album by Texas trio Los Lonely Boys? “Familia! That’s what I think it represents. Three brothers. True American spirit – or Texican spirit.” It’s as simple as that, says guitarist Henry Garza of the artistic and emotional breakthrough achieved by him and his siblings, bass player Jojo and drummer Ringo Jr. From the bluesy groove of the opening song “Heart Won’t Tell a Lie” through the yearning plea of the title song, the heartfelt faith of “Love Don’t Care About Me” and a rollicking version of the Steve Winwood/Spencer Davis Group chestnut “I’m a Man,” Los Lonely Boys has fully realized the potential shown as its first two studio albums, the multi-platinum 2003 debut Los Lonely Boys and 2006’s Sacred (a No. 2 arrival on the Billboard albums chart), made the Texas trio one of the most beloved and acclaimed new arrivals in rock. Each of the three reaches new levels in their playing and singing, Henry and Jojo alternating lead duties and all three joining in both the group musical dynamics and vocal harmonies that can only come with genetic bonds. And there are some new turns as well, including Ringo’s recording debut as a lead singer on the song “Superman.” Powered by passion and true brotherly love, Forgiven is in every note a rock ‘n’ roll classic.
Performing "Heart Won't Tell A Lie" on Jimmy Kimmel Live |
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Tickets on sale |
Flow TV presents Hip Hop Live!featuring Talib Kweli, David Banner & B.O.B.plus Rhythm Roots Allstars Sunday, October 19th 9:00 PM (8:00 PM doors) $28.00 advance / $30.00 door Ages 18+ |
David Allan CoeTuesday, October 21st9:00 PM (8:00 PM doors) $20.00 advance / $22.00 door Ages 18+ |
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Born September 6th, 1939 in Akron, Ohio, USA. From the age of nine, Coe was in and out of reform schools, correction centers and prisons. He took to calling himself Davey Coe - the Mysterious Rhinestone Cowboy, performing in a mask, and driving a hearse. He satirized the themes of country music with hilarious additions to Steve Goodman's 'You Never Even Called Me By My Name', but has often used the clichés himself. His defiant stance and love of motorbikes, multiple tattoos and ultra-long hair made him a natural 'Nashville outlaw', which he wrote about in the self-glorifying 'Longhaired Redneck' and 'Willie, Waylon And Me'. In 1978, Johnny Paycheck had a US country number 1 with Coe's 'Take This Job And Shove It', which inspired a film of the same title in 1981, and Coe's own successes included the witty 'Divers Do It Deeper' (1978), 'Jack Daniels If You Please' (1979), 'Now I Lay Me Down To Cheat' (1982), 'The Ride' (1983), which conjures up a meeting between Coe and Hank Williams, and 'Mona Lisa's Lost Her Smile' (1984), which reached number 2 on the US country charts, his highest position as a performer. Recordings with other performers include 'Don't Cry Darlin' and 'This Bottle (In My Hand)' with George Jones, 'I've Already Cheated On You' with Willie Nelson, and 'Get A Little Dirt On Your Hands' with Bill Anderson. Coe's 1978 album Human Emotions was about his divorce - one side being 'Happy Side' and the other 'Su-I-side'. The controversial cover of Texas Moonshows the bare backsides of his band and crew, and he has also released two mail-order albums of explicit songs, Nothing Sacred and Underground. Coe appears incapable of separating the good from the ridiculous and his albums are erratic. At his best, he is a sensitive, intelligent writer. Similarly, his stage performances with his Tennessee Hat Band differ wildly in length and quality: sometimes it is non-stop music, sometimes it features conjuring tricks. Coe's main trick, however, is to remain successful, as country music fans grow exasperated with his over-the-top publicity. He may still be an outlaw but as Waylon Jennings remarks in 'Living Legends', that only means double-parking on Music Row. |
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Galactic
plus Crown City Rockers |
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With the release of their sixth album, From the Corner to the Block, the five-man group Galactic - drummer Stanton Moore, bassist Robert Mercurio, saxophonist/harmonica player Ben Ellman, keyboardist Richard Vogel, and guitarist Jeff Raines – reaffirms their standing as one of the funkiest outfits in the known universe. Featuring a cherry-picked guest list of some of hip-hop’s most dynamic lyricists – including Juvenile, Gift of Gab (Blackalicious), Lyrics Born, Ladybug Mecca (Digable Planets), Mr. Lif, Chali 2na (Jurrasic 5), Vursatyl (Lifesavas), and Boots Riley (The Coup), From the Corner to the Block exposes Galactic’s organic grooves to an urban ear while still maintaining their essential funk aesthetic. The band started out over a decade ago as an instrumental act in the tradition of the Meters, the JB’s, and Booker T. & the MG’s – bands equally comfortable recording their own material or working with vocalists. From the Corner to the Block grew out of Galactic’s experiences touring with artists like the Roots, Jurassic 5, Triple Threat DJ’s and Gift of Gab. Though it features cameos from a “wish list” of fan-favorite MCs, this isn’t a typical hip-hop album per se, but a contemporary funk record that just happens to feature hip-hop vocalists. “We never set out to make a rap record,” explains Ellman, who produced the record with assistance from engineer extraordinaire Count (Halou, Quannum, DJ Shadow). “We wanted to kinda modernize the New Orleans sound,” adds Mercurio.
Music video for "Hustle Up" |
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Guy ClarkSunday, October 26th8:00 PM (7:00 PM doors) $25.00 advance / $27.00 door Ages 18+ |
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Songwriting legend Guy Clark doesn't merely compose songs; he projects images and characters with the kind of hands-on care and respect of a literary master. Clark works slowly and with strict attention to detail, and has produced an impressive collection of timeless gems, leaving very little waste behind. The emotional level of his work, as well as the admiration and esteem of his peers, consistently transcends sales figures and musical genres. Using everyday language to construct extraordinary songs for more than 35 years, Clark continues to be the type of songwriter whom young artists study and seasoned writers, as well discriminating listeners, revere.
Performing "L.A. Freeway" |
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Tickets on sale |
Squirrel Nut ZippersMonday, October 27th9:00 PM (8:00 PM doors) $18.00 advance / $20.00 door Ages 18+ |
Squirrel Nut Zippers, featuring original and founding members Katherine Whalen, Jimbo Mathis, Chris Phillips, Je Widenhouse and Stuart Cole. On tour the band will be performing material from the entire catalogue. In addition there is usually a live performance with their celebrated animated video for the song The Ghost of Stephen Foster (beautifully done by the folks from the Simpsons). The band still rejoices at the difficulty people have pigeonholing their unmistakable sound. A perpetually evolving, hybrid-stew of Southern roots traditions, blues and jazz, the Zippers were aptly tagged "'30s punk" by one critic. They have always flirted with a muse most concerned with ghosts, love gone wrong, fever-dreams and stories unearthed from days past. Centered around the beguiling vocals of Katherine Whalen and the anachronistic windup toy that is Jimbo Mathus, the Zippers promise to both charm and confound.
Music video for "The Ghost of Stephen Foster" |
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Minus The Bearplus Annuals & SylvieThursday, October 30th 9:00 PM (8:00 PM doors) $16.00 advance / $18.00 door Ages 18+ |
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The more distant you get in our solar system, the more the planets tend to be covered with ice; from the lunar South Pole to the rings of Saturn, the substance seems to coat the outer reaches of our universe like a snowy blanket. Alternately, for the past six years, Seattle's Minus the Bear have orbited the music world like a distant meteor, fine-tuning their unique brand of indie rock and discovering how technology can help enhance the band's unique pop vision - all of which is about to culminate with their latest full-length Planet of Ice, an album showing the band not so much transforming their sound as transcending it. Formed in Seattle, Washington in 2001, Minus the Bear was initially formed by guitarist David Knudson, bassist Cory Murchy, and drummer Erin Tate who eventually recruited keyboardist/sequencer, Matt Bayles and vocalist/guitarist Jake Snider. Once in the same room they realized they were on to something special - and the band quickly earned a rabid and rapidly growing fan base ranging from teenagers to middle-aged parents. "I know every band says they can't explain their music, but I really can't say that we sound like one specific thing," Murchy explains. "We don't follow a particular scene or genre and hopefully that shows."
Music video for "Throwin' Shapes" |
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