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February |
March | April | May | June | September |
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Wednesday, February 3rd |
Yonder Mountain String Band has always played music by its own set of rules. Bending bluegrass, rock and countless other influences that the band cites, Yonder has pioneered a sound of their own. With their traditional lineup of instruments, the band may look like a traditional bluegrass band at first glance but they’ve created their own music that transcends any genre. Dave Johnston points out “What could be more pure than making your own music.” Yonder’s sound cannot be classified purely as “bluegrass” or “string music” but rather it’s an original sound created from “looking at music from [their] own experiences and doing the best job possible.” The band continues to play by their own rules on their new record The Show. |
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plus James Husband |
The brainchild of singer/guitarist Kevin Barnes, of Montreal was among the second wave of bands to emerge from the sprawling Elephant 6 collective. A native of Athens, GA, Barnes was inspired to form the euphoric indie pop group in the wake of a broken romance with a woman from Montreal. He signed with Bar/None Records while living in Florida, subsequently moved to Cleveland and Minneapolis in search of compatible bandmates, and finally returned home to collaborate with bassist Bryan Helium (also a member of Athens' Elf Power) and drummer Derek Almstead. |
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plus The Band Perry |
Luke Bryan grew up in the very small town of Leesburg, Ga. Back home, he helped his father with his peanut and fertilizer businesses while playing sports and enjoying the great outdoors. Yet he can remember his mother urging him to belt out George Strait songs over and over while she drove him into town to shop. By age 14, his parents bought him an Alvarez guitar. By 15, his father would take him down to a nearby club, Skinner's, where he shared guitar licks and lead vocals with other local country singers. Despite everyone's encouragement, he stubbornly refused to reconsider moving to Tennessee. After graduation, he went to work for his father's agriculture business. Bryan loved the work, but a year into it, his father forced him to quit the job and move to Nashville. He arrived in Music City on Sept. 1, 2001. Within two months, he'd signed a publishing deal with a company owned by songwriter Roger Murrah. Bryan spent time honing his material, building up a catalog of songs. Capitol Records will release his debut album in 2006. |
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plus Amy Ray |
Brandi Carlile's third album, Give Up The Ghost, unveils her talents in their truest form. After two albums and non-stop touring, she has let her guard down and offers her most candid recording to date. If the phrase "give up the ghost" most often refers to death or dying, it can also be used to describe the passing of stages in life, of transformation. "To give up the ghost is not just to die since we do it a handful of times throughout our lives. It's a sort of leaving yourself behind," she explains. "Or what you knew yourself to be so that you can grow and transcend love or youth. Sometimes both." The recording of Give Up The Ghost offered new experiences including working with the likes of Elton John, Tom Petty and the Heartbreakers multi-instrumentalist Benmont Tench, drummer Chad Smith and Amy Ray of The Indigo Girls, all of whom contribute to the album. |
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plus Giant Panda Guerilla Dub Squad |
When John Brown's Body released their fifth studio album in 2005, the band looked forward to the happy grind of touring to support the release. With Pressure Points hailed by critics as "their strongest, most consistent effort to date," [Popmatters] JBB set out on tour and continued their efforts to conquer the world. Little did they know that they were about to go through a series of events that would significantly change the band. They endured the death of bassist Scott Palmer, the departure of several long time members (including singer and co-founder Kevin Kinsella), and throat surgery for lead singer Elliot Martin - enough challenges to end the career of many groups. Instead, JBB emerged with a brand new line-up and a fearlessness born out of this musical near-death experience. |
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Thursday, February 11th |
A mantis is an insect with an exceptional range of vision. "Mantis" is the Greek word for prophet. And Mantis is the epic new album by Midwestern monsters of improvised rock, Umphrey's McGee. Consisting of Brendan Bayliss (guitar, vocals), Jake Cinninger (guitar, synthesizers, vocals), Joel Cummins (keyboards, vocals), Andy Farag (percussion), Kris Myers (drums, vocals), and Ryan Stasik (bass), Umphrey's McGee enters its second decade together with their hardest, darkest, and most artistically cohesive album to date. A long-time-coming labor of love as well as an inspiring affirmation of musical brotherhood, Mantis is Umphrey's first fully fleshed-out studio statement since 2006's Safety in Numbers, which was followed by 2007's odds-and-sods collection The Bottom Half and the double live album Live at Murat. So when Brendan Bayliss sings, "We believe there's something here worth dying for," to kick off Mantis's majestic twelve-minute title track, you should take him at his word. |
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Friday, February 12th |
With a message that is positive, sincere, and honest, Josh Phillips Folk Festival has been gaining a veritable army of fans that range from the youngest musical listeners, to seasoned long time traditional music fans. With the release of their first studio album, Wicker, Phillips has truly provided a strong testament to his ability to effortlessly capture generations worth of musical evolution, and traverse years of cultural dilution, bringing the listener back to the very source of roots, folk, soul, r & b, rock and reggae. |
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Saturday, February 13th |
Guerilla Union, producer of Rock The Bells, The Cypress Hill SmokeOut, and Paid Dues Festival, is proud to present the return of the legendary Goodie Mob. Touring for the first time in ten years, Goodie Mob will be backed by a full live band, and performing with all original members: Cee-Lo (from Gnarls Barkley), Big Gipp, Khujo, and T-Mo. Goodie Mob – along with fellow Dungeon Family group Outkast – helped put Atlanta on the map as a Mecca for hip-hop, and introduced southern rap to mainstream America. Also joining the tour is very special guest, B.o.B. Also known under the alias Bobby Ray, this talented new artist has blasted onto the music scene with endless tracks and mix tapes that set to prove B.o.B. is indeed a name to remember. |
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Thursday, February 18th |
Using entire shows from the Grateful Dead's 30 years of extensive touring as a launching pad, Dark Star Orchestra recreates the original song for song performance set list for an entirely new generation of, as well as old school, Deadheads. Dark Star Orchestra presents its critically acclaimed live show at esteemed venues from coast to coast and internationally. Dark Star Orchestra performs Grateful Dead classics in the same way that an orchestra interprets music of classical composers. The composer spirit is derived and channeled as the players capture the excitement and innovation of the original performances and compositions. Touring nationwide for nine years to the tune of nearly 1500 shows since forming, the band's determined commitment to "raising the Dead" has drawn national media attention. |
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plus As Tall As Lions & Morning Teleportation |
Music critics who have witnessed the eye-popping spectacle that is a Cage the Elephant live performance have likened the band’s singer to many things, among them “a demented Bible Belt preacher,” “a Tasmanian devil whooping and jumping up and down like a frenzied gibbon.” And that’s just frontman Matt Shultz. The verdict? “Exhilarating, 100 mph stuff,” raved British indie music bible NME about one of the group’s UK gigs last fall. Cage the Elephant’s raucous live show — which made this red-hot Kentucky-bred band the talk of this year’s South-by-Southwest music festival, and led USA Today to single them out as a band not to miss at 2009’s Coachella Valley Music and Arts Festival — is the perfect showcase for their buzzed-about self-titled debut album for Jive Records. Recorded over 10 days with Grammy Award-winning producer Jay Joyce, and a Top 40 hit when it was released on British indie label Relentless in the U.K. last June, the album is a genre-defying blend of rock n roll and raw youthful punk energy all propelled by Matt’s taunting, Dylan-esque rhythmic vocal delivery, Brad Shultz and Lincoln Parish’s furious twin guitar assault, and bassist Daniel Tichenor and drummer Jared Champion’s rock-steady funk grooves.
Music video for "Back Against The Wall" |
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plus The City Champs |
The North Mississippi Allstars were founded in 1996; a product of a special time for modern Mississippi country blues. RL Burnside, Jr. Kimbrough, Otha Turner and their musical families were at their peak; touring the world, making classic records and doing the all-night boogie at Jr's Juke Joint and Otha's BBQ Goat picnics -- the music and the culture rich as the black Mississippi dirt. Brothers Luther and Cody Dickinson soaked up the music of their father, Jim Dickinson, and absorbed the North Mississippi Blues legacy while playing and shaking it down at the juke joints with their blues ancestors. Luther (guitar and vocals) and Cody (drums and vocals) joined up with bassist Chris Chew to form the core of their own band, The North Mississippi Allstars. Through the filter of generations of Mississippi Blues men, the Allstars pioneered their own blues-infused rock and roll and continue to do so. |
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plus Atreyu |
The members of the Used had to overcome poverty, homelessness, and substance abuse, not to mention the straitlaced attitudes of their hometown of Orem, UT, to bring their screamo-tinged brand of post-hardcore to life. But they persevered and earned a contract with Reprise Records, releasing their self-titled debut album in June 2002. Having only played a handful of shows around Orem prior to their record's release, the band -- vocalist Bert McCracken, guitarist Quinn Allman, bassist Jeph Howard, and drummer Branden Steineckert -- began relentless nationwide touring that quickly saw their fan base multiply.
Music video for "The Taste of Ink" |
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plus Missy Raines & The New Hip |
Grammy Award winning multi-instrumentalist Sam Bush doesn't seem old enough to be a musical legend. And he's not. But he is. Alternately known as the King of Telluride and the King of Newgrass, Bush has been honored by the Americana Music Association and the International Bluegrass Music Association. "It's overwhelming and humbling," Bush says of his lifetime achievement award from the AMA. "It goes along with the title cut of my new album, Circles Around Me, which basically says, how in the hell did we get this far? In my brain I'm still 17, but I look in the mirror and I'm 57." But honors are not what drive him. "I didn't get into music to win awards," he says. "I'm just now starting to get somewhere. I love to play and the older I get the more I love it. And I love new things." Among those new things are the growing group of mandolin players that identify Bush as their musical role model in much the same way he idolized Bill Monroe and Jethro Burns. "If I've been cited as an influence, then I'm really flattered because I still have my influences that I look up to," Bush says. "I'm glad that I'm in there somewhere." He's being humble, of course. Bush has helped to expand the horizons of bluegrass music, fusing it with jazz, rock, blues, funk and other styles. He's the co-founder of the genre-bending New Grass Revival and an in-demand musician who has played with everyone from Emmylou Harris and Bela Fleck to Charlie Haden, Lyle Lovett and Garth Brooks. |
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Friday, February 26th |
At the vanguard of a new progressive style, the New Deal has become a live touring phenomenon. They have appeared at Bonnaroo, Langerado, Jazz Fest New Orleans, the Coachella Festival, Street Scene in San Diego, Berkfest, Gathering of the Vibes, Camp Bisco, and the Detroit Electronic Music Festival to name just a few. They have headlined over 400 shows in the past 4 years. the New Deal inspires audiences of all kinds, from packed dance clubs across North America, to spellbound receptions during opening tours with Herbie Hancock and Page McConnell from Phish. |
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Saturday, February 27th |
For a stalwart young artist who creates different means to an end, Ben Sollee has enjoyed a whirlwind year replete with remarkable success and warm, exciting music to match. Sollee hails from Kentucky, yet sounds nothing like the colloquial music one traditionally associates with the state (or anywhere else for that matter). He eschews traditional singer-songwriter and folk boundaries, choosing a cello rather than a guitar as his divining rod, and utilizing unique plucking and percussive bow techniques juxtaposed against his blue-eyed soul meets Antony Hegarty vocal leanings. Ben enjoys collaborating with musicians as disparate as Otis Taylor and Bela Fleck, touring with indie rock royalty, and covering Sam Cooke as an homage to blues. When he ventures out of Louisville, sometimes he'll just strap this cello to his back and ride his bike rather than enjoy the comforts of a van or bus, as he did on his southern trek in the summer of 2009 -- playing intimate shows in every town he hits between his larger headlining performances. Yes, Ben's always done things a bit differently. |
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The Orange Peel
101 Biltmore Avenue
Asheville, North Carolina 28801
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