Tech Info

General Information:

  • The Orange Peel is a 1050 capacity standing, consult the venue for seating options.
  • The Orange Peel is non-smoking venue, smoking is allowed only in dressing rooms and select designated areas.
  • For permission to record (including taping, photography, and videography) please contact (info@theorangepeel.net)
  • Guest lists are due by 7:00pm day of show.

Contacts:

National Booking:

AC Entertainment, Courtney Bergmeier
cbergmeier@acentertainment.com

Contracts and Deposits:

Lauren Davis
lauren@theorangepeel.net
(828) 398-1837

Technical and Hospitality Advance:

Dan Cochran
dan@theorangepeel.net
(828) 215-6660

Ticket Counts
lauren@theorangepeel.net
(828) 398-1837

Advertising and Publicity
press@theorangepeel.net
(828) 398-1837

Technical Information:

Load-in and Parking:

  • Load-in on Hilliard Avenue to freight elevator (lands at stage level).
  • Parking: per advance
  • Restrictions: stopping is currently illegal on Biltmore Avenue, load-in is at the Hilliard Avenue entrance.

Dressing Rooms:

  • Two dressing rooms backstage
  • Separate shower and bathroom facilities for each room
  • Each dressing room has separate access to wings and stage (see floor plan)
  • ADA access to stage via full-size elevator.

House Power:

Sound

  • Total Sound Power: 225 A, 3 phase, 208Y/120 V, shielded, isolated
  • Guest Sound Equipment: Stage Right — 100 A, 3 phase via Company Switch with Series 16 Camlocks
  • Stage: Six — 20 A with Edison type receptacles, isolated ground
  • (4 additional 20 A at monitor position)
  • FOH: 30 A, 3 phase, 208Y/120 V, isolated ground

Lighting

  • Total Lighting Power: 300 A, 3 phase, 208Y/120 V
  • House Lighting Equipment: Stage Left — 200 A, 3 phase via Company Switch with Series 16 Camlocks
  • Guest Lighting Equipment: Stage Left — 100 A, 3 phase via Company Switch with Series 16 Camlocks
  • Stage: Eight — 20 A circuits connected to house lighting system with Edison type receptacles on stage for portable uplights
  • FOH: 20 A, 3 phase, 208Y/120 V

House Console:

  • Midas Heritage 1000 44 mono/4 stereo/10 returns

House Processing:

  • Klark Teknik DN 3600 Programmable Graphic Equalizer (Main Array)
  • Ashly 3102 2×31 Band Graphic Equalizer (Subs and Front Fills)
  • XTA DP 226 Speaker Management Unit (Main Array)
  • BSS FDS336 Mini Drive Speaker Management Unit (Subs and Front Fills)
  • Lexicon Tap Delay & Multi-Effects
  • (2) TC Electronics D2 Digital Delay
  • (2) TC Electronic M-One XL multi-effect reverb
  • (2) Yamaha SPX 990 multi-effect reverb
  • BSS DPR-404 4 Channel Compressor De-Esser
  • Drawmer DL 441 4 Channel Compressor
  • (2) Drawmer DL 241 2 Channel Compressor/Gate
  • (3) Drawmer DS 201 2 Channel Gate
  • Drawmer DL441 4 Channnel Compressor
  • Drawmer DS404 4 Channnel Gate
  • DBX 266 Dual Compressor/Gate

Playback/Recording:

  • Denon DNT 620 CD/cassette
  • PC Recording with Sony Sound Forge

House Speaker System:

  • (8) Adamson Y-Axis Y18 (line array)
  • (8) Meyer 650 Sub
  • (8) Crown MA5002
  • (4) Crown MA2402

Snake System:

  • Custom 54 Channel Splitter
  • (3) 12 channel sub snake
  • (2) 16 channel sub snake

Monitor Console:

  • Yamaha M7CL 48 Channel Digital Console

Monitor Processing:

  • (5) Ashly GQX-3102 Stereo 31-Band 1/3 EQ 2 Channel

Monitor Speaker System:

  • (9) Machperson LPX 15″ LF/2″ HF (Bi-amped)
  • (2) ElectroVoice FM212 2×12″ LF/2″ HF (Bi-amped)
  • Radian RCS-215 Drum Fill Subwoofer
  • JBL Single 18″ Subwoofer
  • (10) Crown MA2402 with Crown IQ PIP
  • (2) QMS 2-Way Trapazoidal (15″ x 1″) (Sidefill)
  • (2) Community 4×15″ Subs (Sidefill)
  • (1) DBX Driverack Processor (Sidefill)
  • (1) Samson 1500w Amplifier (Sidefill)
  • (1) Samson 2000w Amplifier (Sidefill)

Mic Kit:

  • (2) Shure Beta 52
  • (3) Shure Beta 91
  • (4) Shure SM 81
  • (12) Shure SM 57
  • (12) Shure SM 58
  • (2) Audio Technica Large Diaphragm Condenser
  • (6) Sennheiser e604 Tom Mics
  • (8) Countryman DI
  • (8) Whirlwind Passive DI

Lighting Console:

  • Avolites Pearl 2004

Lighting System:

  • (3) Applied Electronics AE12-2400 12 channels, 2.4kW per channel
  • (60) Par 64 1K
  • (6) Ellipsoidal Source-4

Lighting Trusses:

  • 32′ Aluminum 12″ x 18″ Box Truss located 8′ in front of stage, 16′ high (from stage level)
  • 24′ Aluminum 12″ x 18″ Box Truss w/ (2) Half-ton chain motors located 3′ off back wall of stage, 16′ high (from stage level)

Stage and Mix Position:

  • Stage – 36′ X 28′ X 4′ (Proscenium style stage) (Rear half 25′ wide)
  • Mix Position — Center, 45’ from stage (no obstructions)