- The Orange Peel is 942 capacity standing, consult the venue for seating options.
- The Orange Peel is non-smoking venue, smoking is allowed only in dressing rooms and select designated areas.
- For permission to record (including taping, photography, and videography) please contact (info@theorangepeel.net)
- Guest lists are due by 7:00pm day of show.
Contacts:
National Booking:
AC Entertainment, Bryan Benson
bryan@acentertainment.com
Contracts and Deposits:
Pat Whalen
pat@theorangepeel.net
(828) 225-5851
Lauren Davis
lauren@theorangepeel.net
(828) 225-5851
Technical and Hospitality Advance:
Dan Cochran
dan@theorangepeel.net
(828) 215-6660
Ticket Counts
lauren@theorangepeel.net
(828) 225-5851
Advertising and Publicity
press@theorangepeel.net
(828) 225-5851
Technical Information:
Load-in and Parking:
- Load-in on Hilliard Avenue to freight elevator (lands at stage level).
- Parking: per advance
- Restrictions: stopping is currently illegal on Biltmore Avenue, load-in is at the Hilliard Avenue entrance.
Dressing Rooms:
- Two dressing rooms backstage
- Separate shower and bathroom facilities for each room
- Each dressing room has separate access to wings and stage (see floor plan)
- ADA access to stage via full-size elevator.
House Power:
Sound
- Total Sound Power: 225 A, 3 phase, 208Y/120 V, shielded, isolated
- Guest Sound Equipment: Stage Right 100 A, 3 phase via Company Switch with Series 16 Camlocks
- Stage: Six 20 A with Edison type receptacles,
isolated ground
(4 additional 20 A at monitor position) - FOH: 30 A, 3 phase, 208Y/120 V, isolated ground
- Total Lighting Power: 300 A, 3 phase, 208Y/120 V
- House Lighting Equipment: Stage Left 200 A, 3 phase via Company Switch with Series 16 Camlocks
- Guest Lighting Equipment: Stage Left 100 A, 3 phase via Company Switch with Series 16 Camlocks
- Stage: Eight 20 A circuits connected to house lighting system with Edison type receptacles on stage for portable uplights
- FOH: 20 A, 3 phase, 208Y/120 V
House Console:
- Midas Heritage 1000 44 mono/4 stereo/10 returns
House Processing:
- Klark Teknik DN 3600 Programmable Graphic Equalizer (Main Array)
- Ashly 3102 2x31 Band Graphic Equalizer (Subs and Front Fills)
- XTA DP 226 Speaker Management Unit (Main Array)
- BSS FDS336 Mini Drive Speaker Management Unit (Subs and Front Fills)
- Lexicon Tap Delay & Multi-Effects
- TC Electronic M-One XL multi-effect reverb
- (2) Yamaha SPX 990 multi-effect reverb
- BSS DPR-404 4 Channel Compressor De-Esser
- Drawmer DL 441 4 Channel Compressor
- (2) Drawmer DL 241 2 Channel Compressor/Gate
- (3) Drawmer DS 201 2 Channel Gate
- Drawmer DL441 4 Channnel Compressor
- Drawmer DS404 4 Channnel Gate
- DBX 266 Dual Compressor/Gate
Playback/Recording:
- Denon DNT 620 CD/cassette
- PC Recording with Sony Sound Forge
House Speaker System:
- (8) Adamson Y-Axis Y18 (line array)
- (8) Meyer 650 Sub
- (8) Crown MA5002
- (4) Crown MA2402
Snake System:
- Custom 54 Channel Splitter
- (3) 12 channel sub snake
- (2) 16 channel sub snake
Monitor Console:
- Yamaha M7CL 48 Channel Digital Console
Monitor Processing:
- (5) Ashly GQX-3102 Stereo 31-Band 1/3 EQ 2 Channel
Monitor Speaker System:
- (9) Machperson LPX 15" LF/2" HF (Bi-amped)
- (2) ElectroVoice FM212 2x12" LF/2" HF (Bi-amped)
- Radian RCS-215 Drum Fill Subwoofer
- (10) Crown MA2402 with Crown IQ PIP
- (2) QMS 2-Way Trapazoidal (15" x 1") (Sidefill)
- (2) Community 4x15" Subs (Sidefill)
- (1) DBX Driverack Processor (Sidefill)
- (1) Samson 1500w Amplifier (Sidefill)
- (1) Samson 2000w Amplifier (Sidefill)
Mic Kit:
- (2) Shure Beta 52
- (3) Shure Beta 91
- (4) Shure SM 81
- (12) Shure SM 57
- (12) Shure SM 58
- (2) Audio Technica Large Diaphragm Condenser
- (6) Sennheiser e604 Tom Mics
- (8) Countryman DI
- (8) Whirlwind Passive DI
Lighting Console:
- Avolites Pearl 2004
Lighting System:
- (3) Applied Electronics AE12-2400 12 channels, 2.4kW per channel
- (60) Par 64 1K
- (6) Ellipsoidal Source-4
Lighting Trusses:
- 32' Aluminum 12" x 18" Box Truss located 8' in front of stage, 16' high (from stage level)
- 24' Aluminum 12" x 18" Box Truss w/ (2) Half-ton chain motors located 3' off back wall of stage, 16' high (from stage level)
Stage and Mix Position:
- Stage - 36' X 28' X 4' (Proscenium style stage) (Rear half 25' wide)
- Mix Position Center, 45 from stage (no
obstructions)



